Adam, Theo
Biller, Georg Christoph
Erdmann, Dietrich
Gabriel, Thomas
Geck, Martin
Geissler, Christian
Giersdorf, Peter
Göttler, Fritz
Götzelt, Klaus Th.
Groenewold, Ulla
Grotz, Reinhard
Güttler, Ludwig
Harnoncourt, Nikolaus
Hentig, Hartmut von
Hespos, Hans-Joachim
Hildebrandt, Herbert
Hildebrandt, Regine
Höbel, Susanne
Horst, Astrid
Hundertmark, Magdalene
Jungheinrich, Hans-Klaus
Klebe, Giselher
Kluge, Friedemann |
Knobloch, Heinz
Kraa, Maria
Lechtenbrink, Rainer
Magirius, Heinrich
Maizière, Lothar de
Maser, Peter
Matthus, Siegfried
Meyer, Krzysztof
Peters, Sabine
Petzoldt, Martin
Riehm, Rolf
Schlick, Barbara
Schmidt, Melmut
Schridde, Margrit
Sölle, Dorothee
Stauder, Hartmut
Stolpe, Manfred
Udolph, Ludger
Wagner, Gottfried
Woehl, Gerald
Wolff, Christoph
Zechlin, Ruth
Zimmer, Dieter |
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offering many leisurely hours of
reading enjoyment
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This book is an anthology of forty-six essays by well-established figures in
Germany from diverse background—musicologists, musicians, composers, teachers,
politicians, theologians, scientists, publicists, critics and journalists—who
unfolds their own account of encountering with Bach and his music. Bach
researchers are represented by Martin Geck, Martin Petzoldt and Christoph Wolff.
The present Thomascantor, Georg Christoph Biller, is among the practicing
musicians. The short CV of all the authors is given at the back of the book. The
contributions themselves are of mixed kinds, and mostly light hearted, witty and
amusing. (The title of essays can be listed by clicking
this link.) The longest is a ten-page poem by Christian Geissler, while
there are five one-page essays.
The book offers many leisurely hours for your reading enjoyment. It is also
good to know that part of your money goes to a good cause: the preservation work
for Bach’s autographs in Staatsbibliothek in Berlin. |